Archive for the ‘Interviews’ Category

Photo by Andrew Keller Chi McClean is an inde­pen­dent singer-songwriter cur­rently tour­ing in sup­port of his 2009 release, Some­thing Out There. In Part 3 of our con­ver­sa­tion Chi dis­cusses music pub­lish­ing, endorse­ments, brand­ing, and his next release. Read Part 1 Read Part 2 How are you han­dling your music pub­lish­ing? CM: I set up McClean Music Pub­lish­ing. I received my first BMI check a few months ago and it (the impor­tance of pub­lish­ing) really hit home for me. The more I know, the less I know (about pub­lish­ing). It’s a labyrinth. I went to a Music Row Mag­a­zine awards fes­ti­val at BMI in Nashville. I also met with Stage Three Music Pub­lish­ing. (Song­writ­ing ) is huge busi­ness down there. At a cer­tain point whether it’s man­agers, book­ing agents, or pub­lish­ing, it’s about band­width and how much you can real­is­ti­cally tackle in a mean­ing­ful way. You’re not doing your­self any good if you’re spread too thin.  What’s the time­line on your new record? CM: I hope to have it out by the hol­i­days. I think it’s going to be more focused on the songs. We were talk­ing ear­lier about what peo­ple react to. I think it will be a sim­ple, hon­est record. I’ve found my voice a bit more. There are some good songs here.  You have endorse­ments with Tay­lor Gui­tars and Elixir Strings. How did you put that together and how have the endorse­ments worked for you? CM: Whether I had an endorse­ment or not, I love my Tay­lor. (I’ve been play­ing them) since 1999. I’ve been play­ing a lot…

In Part Two of my con­ver­sa­tion with indie singer-songwriter Chi McClean we dis­cuss the impor­tance of build­ing per­sonal rela­tion­ships with fans and indus­try part­ners and the chal­lenges of doing it all your­self…Chi is cur­rently record­ing his sec­ond record. You can find out more about Chi on his web­site: www.chimcclean.com and pick up his music at CD Baby, Amazon.com, and the iTunes Store. Read Part One of our con­ver­sa­tion here… You are han­dling PR and mar­ket­ing your­self. What’s work­ing for you? How do you decide the best ways to invest your time? CM: I pick my bat­tles. If I’m going out on a tour, I’ll look at those mar­kets, fig­ure out what the week­lies are (and) tar­get the music writ­ers who have been writ­ing stuff I gen­uinely like. You have to show that you are inter­ested in them. For exam­ple, I got this great review in the San Fran­cisco Chron­i­cle. I liked this guy’s style of writ­ing. I liked the artists that he cov­ered. In my email to him I told him, “I really enjoyed (your) arti­cle about so and so, I heard him on KFOG, but this other guy (you) rec­om­mended I’d never heard of. I checked out his music and it’s awe­some, a great find. What other artists could you rec­om­mend? Inci­den­tally I just came out with a new CD (laughs). Do you ever write about inde­pen­dent musi­cians?” Within ten min­utes I got an email back. I know that’s a total excep­tion to the rule, because it’s so much about luck, but I think that…

September 21st, 2010

Musician Profile: Putter and VR Smith

4 Comments, Interviews, Music, by Eric Jensen.

Thelo­nious Monk, James Bond, and a life of music… Jazz bassist Put­ter Smith and his wife, singer VR Smith, have devoted their lives to music and the arts. The music room in their South Pasadena home is filled with instru­ments, orig­i­nal art­work, and ori­en­tal rugs; a wel­com­ing refuge from the hus­tle and bus­tle of Los Ange­les. Put­ter is a South­ern Cal­i­for­nia jazz leg­end who has worked with an aston­ish­ing array of great musi­cians includ­ing: Thelo­nious Monk, Art Blakey, Duke Elling­ton, Billy Eck­s­tine, Diane Schuur, Lee Konitz, Bruce For­man, Jackie and Roy, Car­men McRae, Gary Fos­ter, Art Farmer, Blue Mitchell, Erroll Gar­ner, Gerry Mul­li­gan, Art Pep­per, Mason Williams, Percy Faith, Burt Bacharach, Ray Charles, The Man­hat­tan Trans­fer, and Johnny Mathis, to name but a few. He worked steadily in the Los Ange­les rock and roll record­ing scene, play­ing on clas­sic records by Sonny and Cher, The Beach Boys, The Right­eous Broth­ers and many more. Put­ter had a brief act­ing career, play­ing the vil­lain­ous, “Mr. Kidd” in the James Bond film, Dia­monds Are For­ever. He is highly sought as a per­former and teacher and is cur­rently on the fac­ulty at the Cal­i­for­nia Insti­tute of the Arts in Valen­cia. Orig­i­nally from the now infa­mous Bell, CA, Put­ter began play­ing bass at a young age. “My brother Car­son Smith was a famous bass player.” he told me in a recent con­ver­sa­tion. “He had gone to New York when I was eight and had left a lit­tle half size bass I used to fool around with. By the time I was…

Photo by Andrew Keller This is Part 1 of an inter­view with indie artist, Chi McClean, the lat­est install­ment in the occa­sional Career Tracks series of inter­views. You can read Part Two of our con­ver­sa­tion here. Chi McClean is a singer-songwriter with an inti­mate, down-home style and clas­sic Cal­i­for­nia good looks. Orig­i­nally from New York, Chi moved to Cal­i­for­nia to sam­ple the surf and take a shot at the music busi­ness. With the release of his 2009 debut record­ing, Some­thing Out There, (co-produced by Chi and Boone Spooner) he dove full-time into the indie DIY life, tour­ing exten­sively across the United States. Chi has per­formed live on national tele­vi­sion (The Early Show) and earned sev­eral song­writ­ing and per­for­mance awards. He is spon­sored by Tay­lor Gui­tars and Elixir Strings, is tour­ing con­tin­u­ally, and in pre-production for his next record. On a recent stop in Los Ange­les we had a chance to talk about music, the impor­tance of build­ing rela­tion­ships, mar­ket­ing your­self, and the power of the national media.  You can find out more about Chi on his web­site: www.chimcclean.com and pick up his music at Amazon.com, CD Baby, and the iTunes Store. Your songs have been described in the media as “South­ern Rock” or “Clas­sic Rock”. What do you think is unique about your music and the way it con­nects with peo­ple? CM: Peo­ple say that the record­ings and the live per­for­mances, par­tic­u­larly when it’s just me and a percussionist…it’s an hon­est and true per­for­mance. Peo­ple like the fact that you can hear the squeak in…

Photo by Thad­deus Brid­well I recently had the oppor­tu­nity to speak with the excel­lent folks in Kil­lola, a four piece “Hard­pop Alt­core” band formed in 2003 and based in Los Ange­les. Con­sist­ing of Lisa Rief­fel (lead vocals), Mike Ball, (gui­tar), Dan Grody (drums) and Johnny Dunn (bass), the band’s indie work ethic and unique blend of garage rock, punk, and pop/electronica has cre­ated a devoted inter­na­tional audi­ence. The band tours reg­u­larly in the US and UK and has a strong Inter­net pres­ence. Kil­lola were early Myspace adopters; they had songs posted on the site in late 2003. They have been con­sis­tently on the front edge of dig­i­tal dis­tri­b­u­tion and mar­ket­ing, suc­cess­fully deploy­ing many inno­v­a­tive strate­gies includ­ing free tracks, USB flash-drive bracelets and Dog Tags, and a diverse, syn­er­gis­tic media pres­ence. Lisa Rief­fel is also an actress appear­ing in the upcom­ing fea­ture film/rock-musical “Girl­trash: All Night Long” (all the film’s music by Kil­lola) and an orig­i­nal cast mem­ber of The King of Queens. In 2007 Lisa and Johnny began host­ing a weekly radio show (on Dave Navarro’s per­sonal Inter­net Radio Net­work ‘Spread Radio Live’) fea­tur­ing a mix of music, inter­views, fan inter­ac­tion, and gen­eral may­hem. The band’s first 4-song EP was released for free on stencil-screened CD-Rs pack­aged in hand painted sleeves. Their first for­mal record, “Louder, Louder!” was released in Jan­u­ary 2006. It was recorded fru­gally and sold well on both and 7” vinyl, par­tic­u­larly in the UK. They released a live DVD/CD, “Live in Hol­ly­wood” in Octo­ber 2006 and self-booked a UK tour in…

OK, Ebow fans…this is the clip you’ve been wait­ing for. At about 1:10 Ken demon­strates the pre­pared gui­tar tech­niques involved in Rob Wannamaker’s piece, ‘Parallels’…slides, Ebow, hair scrunchies, and BBQ skewers…I love it! Head­ing into the clip I had asked Ken about the meter and tempo of the piece. To the lis­tener it appears to have no time; a float­ing con­tin­u­ous ensem­ble chord; the inner voices grad­u­ally shift­ing the tonal­ity. Check this one out…

In Part 5 of our con­ver­sa­tion Ken Rosser describes each of the pieces from the Shadow Lan­guage Gui­tar Quar­tet debut per­for­mance… Fol­low Me by Paul Lan­sky Amer­i­can Thighs by Bet­sey Biggs Time Enough by Mick Goodrick Par­al­lels by Rob Wan­na­maker and finally… Motor­mouth by Fred Frith Ken describes the musi­cal char­ac­ter of each com­po­si­tion and the unique chal­lenges pre­sented by the per­for­mance techniques.

In this clip Ken Rosser describes how he picked the pro­gram for the Quartet’s debut performance…

In part 3 Ken describes how he came up with the name for the group…

In this 2nd chap­ter of my inter­view with Ken Rosser we dis­cuss the unique require­ments of an elec­tric gui­tar ensem­ble and the strengths each of the other play­ers brings to this group. Shadow Lan­guage Gui­tarists: Ken Lasaine Kevin Tier­nan Andre LaFosse