Posts Tagged ‘LA Events’

Shadow Lan­guage Elec­tric Gui­tar Quar­tet Ken Rosser’s Shadow Lan­guage Elec­tric Gui­tar Quar­tet is play­ing a show at The Elec­tric Lodge in Venice, CA Thurs­day April 22 at 8 pm. In addi­tion to the reper­toire from their pre­mier per­for­mance (see my inter­views with Ken) they will be per­form­ing a piece by Nick Did­kovsky and a world pre­mier, Rooms of Mar­ble and Red Grass by com­poser Ste­fano Gian­notti. If you are a fan of mod­ern elec­tric gui­tar music be sure to check this out. SLEGQ is push­ing the bound­aries of the elec­tric gui­tar and con­tem­po­rary cham­ber music. If you think “it’s all been done” on the elec­tric gui­tar… think again! Gui­tarist Ken Rosser

I played a very nice gig at The York in High­land Park Sun­day night. The band con­sisted of yours truly on gui­tar, Frank Mac­chia on bass flute and tenor sax, Tommy Lock­ett on bass, and Frank Briggs on drums. …a mix of stan­dards and my orig­i­nals… Great play­ers, friendly staff, and a good crowd at this hip, neigh­bor­hood bistro.…  

At The Blue Whale in down­town Los Ange­les last Fri­day night I was reminded of the spirit of open­ness and musi­cal inven­tion I expe­ri­enced as a music stu­dent in Boston. I was quite for­tu­nate to stum­ble into  a very inspiring, wide open, musi­cal com­mu­nity. Gary Burton’s groups included ground­break­ing gui­tarists Mick Goodrick and Pat Metheny and fea­tured new com­posers like Carla Bley, Steve Swal­low, and Michael Gibbs. The music was cross­ing bound­aries, explor­ing approaches beyond the lan­guage of bebop and post-bebop tra­di­tions. Man­fred Eicher’s ECM records was a ris­ing force, bring­ing Euro­pean clas­si­cal har­mony and a lush sonic palette to the mix, and ‘world music’ influ­ences were mak­ing deep inroads into the Amer­i­can impro­vi­sa­tional tra­di­tion. Some of the most influ­en­tial gui­tarists in the last thirty years passed through Boston dur­ing this time; John Aber­crom­bie, Pat Metheny, Bill Frisell, John Scofield, Mike Stern, and many oth­ers less well known. It was an excit­ing time when any­thing seemed pos­si­ble. Tom Rizzo (May­nard Fer­gu­son, Doc Sev­erin­sen) gui­tar, Scott Bread­man (Jose Feli­ciano, Lind­sey Buck­ing­ham, The Rip­ping­tons) per­cus­sion, and Darek Oles (Brad Mehldau, Billy Hig­gins, Pat Metheny) upright bass, brought their unique, col­lec­tive sound to this inti­mate venue. After warm­ing up with their take on a cou­ple of clas­sic tunes (includ­ing a beau­ti­ful ver­sion of Bill Evans’ “Time Remem­bered”), they dug into their own mate­r­ial, pri­mar­ily com­posed by Rizzo. Rizzo is a sea­soned writer and his strong com­po­si­tions focused the band’s iden­tity and sound. His gui­tar play­ing has a play­ful, uplift­ing feel. He is a mod­ern, straight-ahead gui­tarist with fluid sin­gle note and chordal chops.…

I caught up with Con­rad Romo last night at his monthly spo­ken word and music event Tongue and Groove, one of the real gems of the LA spo­ken word scene. Con­rad has been pro­duc­ing T & G for six years. Shows hap­pen on the last Sun­day of the month at the Hotel Cafe in Hol­ly­wood from 6 to 7:30 pm. Con­rad has his fin­ger on the pulse of the LA lit­er­ary scene and always puts together a great mix short fic­tion, per­sonal essays, poetry, spo­ken word, and music. Last nights show fea­tured Bren­dan Con­stan­tine, (Let­ters To Guns), Anto­nia Crane (Tales of a Sex­ual Out­law) Rob Roberge (Work­ing Back­wards From the Worst Moments of My Life), Patrick O’Neil, and the “cow­punk” band, Speed­buggy. Con­rad says: “Bren­dan Con­stan­tine holds an MFA from Ver­mont Col­lege of Fine Arts and is cur­rently poet in res­i­dence at Loy­olla Mary­mount Uni­ver­sity Exten­sion and the Wind­ward School. His work has appeared in numer­ous jour­nals, most notably Ploughshares, Ninth Let­ter, The Cort­land Review and RUNES. His col­lec­tion, Let­ters To Guns, was released in 2009 from Red Hen Press. He lives at Bela Lugosi’s last address. Anto­nia Crane is a free­lance jour­nal­ist, edi­tor and sex worker from Hum­boldt County. She has been a sex edu­ca­tor and harm reduc­tion coun­selor for at-risk youth and women in SF and LA. She holds an MFA in Cre­ative Writ­ing from Anti­och, edits the on line jour­nal, “The Cit­ron Review” and is a con­tribut­ing colum­nist for “The Rum­pus.” Excerpts from her forth­com­ing mem­oir “Tales of a Sex­ual Out­law” have been published…

Last night I caught Bob Sheppard’s quar­tet upstairs at Vitello’s in Stu­dio City. Bob is one of the best sax­o­phon­ists in Los Ange­les and this was a par­tic­u­larly excit­ing band; Steve Car­de­nas on gui­tar, Jeff D’Angelo on bass, and the remark­able Steve Hass on drums. Bob is a ver­sa­tile player with a beau­ti­ful, rich and detailed sound. He has absorbed the music of the jazz mas­ters as well as pop styles, and cre­ated a strong per­sonal voice. He burns with­out over­whelm­ing the band, leav­ing plenty of space for musi­cal con­ver­sa­tion. The inter­ac­tion between these guys was remark­able. It was a plea­sure to watch them lis­ten­ing to each other. At times the exchanges between Shep­pard and Car­de­nas were rem­i­nis­cent of the clas­sic Sonny Rollins — Jim Hall quar­tet. Bob pulled up a mix of stan­dards, orig­i­nals and lesser heard jazz tunes includ­ing two delight­ful Thelo­nious Monk com­po­si­tions; “Green Chim­neys” and “San Fran­cisco Hol­i­day”. Of par­tic­u­lar note was his gor­geous ren­di­tion of the Jimmy McHugh bal­lad, “Say It (Over and Over Again)” per­haps best known as recorded by John Coltrane on the clas­sic “Bal­lads” album. I first heard Steve Car­de­nas many years ago in the San Fran­cisco Bay Area when we were both play­ing with trum­peter Jeff Beal’s bands. Steve’s play­ing knocked me out back then and today he has become one of the pre­mier voices in mod­ern jazz gui­tar, per­form­ing with a wide range of artists includ­ing: Paul Mot­ian, Norah Jones, John Pat­i­tucci and Ben Alli­son. He is an esteemed edu­ca­tor and is in town for a guest…

Per­form­ing tonight (2–7–10) at The Eagle Rock Cen­ter For The Arts…7 pm. Here’s a clip of Ken check­ing out my Ran­som Tele at today’s Wire­choir rehearsal… Updated 2-10-2010: The con­cert was fab­u­lous. Stay tuned for an in-depth video inter­view with Ken…

On Tues­day evening the Cal­i­for­nia Copy­right Con­fer­ence (CCC) hosted a lively panel of inde­pen­dent music pub­lish­ers dis­cussing the cur­rent state of their indus­try; what’s work­ing, the chal­lenges ahead and oppor­tu­ni­ties for inno­va­tion. The panel was mod­er­ated by Eric Polin, Sr. VP, Music Pub­lish­ing, Uni­ver­sal Pic­tures, and Jonathan Ros­ner, Pres­i­dent of the CCC and co-President of Bicy­cle Music. The panel: David Hir­sh­land — Pres­i­dent, Bug MusicKathy Span­berger — peer­mu­sic, Pres­i­dent, Anglo Amer­i­can RegionKenny MacPher­son – Pres­i­dent, Chrysalis Music GroupRan­dall Wixen — Pres­i­dent and Founder, Wixen Music Pub­lish­ingRon Sobel — Pres­i­dent of North Star Media; Part­ner at Winogradsky/Sobel; and Chair/Music Busi­ness Divi­sion, McNally Smith Col­lege of Music The com­pa­nies rep­re­sented range in size and man­age a mix of estab­lished and inde­pen­dent artists. Most are grounded in tra­di­tional cat­a­log admin­is­tra­tion, but North Star Media in par­tic­u­lar part­ners with unknown artists with­out mechan­i­cal or per­for­mance roy­al­ties and is pri­mar­ily focused on artist devel­op­ment and lever­ag­ing inno­v­a­tive rev­enue streams and new media oppor­tu­ni­ties. The panel felt that this was gen­er­ally a good time to be an inde­pen­dent pub­lisher. David Hir­sh­land dis­cussed the dan­gers of com­pla­cency and the need to repur­pose cat­a­logs and encour­age writ­ers to work in new, cre­ative ways. Ran­dall Wixen said that his com­pany is being approached by many new artists who are look­ing for more atten­tion from pub­lish­ing part­ners due to shrink­ing or non-existent advances from record labels. All the pan­elists empha­sized the impor­tance of qual­ity and focus­ing on great music. David Hir­sh­land: “It’s still about being moved by what you hear…” Kathy Span­berger dis­cussed the impor­tance of partnering…

I caught gui­tarist and com­poser, Mike Clinco with his quar­tet, at The Oys­ter House in North Hol­ly­wood Mon­day night. Mike is a fluid, melodic player with a warm, open, sound and a great relaxed feel. He has worked with many extra­or­di­nary artists includ­ing: Bo Did­dley, Bobby McFer­rin, Ella Fitzger­ald and Henry Mancini. Mike has com­posed music for film and tele­vi­sion, includ­ing under­score and source music for ‘Big Shots’, ‘Outer Lim­its’, and ‘Sex in The City’. Mike’s group fea­tur­ing Jeff Driscoll on tenor, Adam Cohen on bass, and Bob Leatherbar­row on drums, played a mix of orig­i­nals, jazz stan­dards, and tunes by John Aber­crom­bie, Jerry Bergonzi, Vic Juris, and Marc John­son (“Union Pacific” from The Sound of Sum­mer Run­ning…a great record fea­tur­ing Pat Metheny, Bill Frisell and Joey Baron). Singer Janelle Sadler and trum­peter Ron King sat in for a cou­ple of tunes adding their magic to the mix. The sound of the group was con­ver­sa­tional, cham­ber jazz with a swing­ing groove and a deep pocket thanks to Adam and Bob. The melodic inter­play between the gui­tar and sax was super musi­cal and sen­si­tive. The rhythm sec­tion lis­tened hard, pro­vided solid, ener­giz­ing sup­port and con­tributed some nice solos. Mike and I both stud­ied with the late Char­lie Bana­cos, leg­endary jazz edu­ca­tor. In one way or another, Charlie’s influ­ence touched many of the musi­cians who were there last night.  Great play­ers and a won­der­ful night of music. Thanks Mike! I’m look­ing for­ward to the next gig…

January 27th, 2010

Support live music in LA

No Comments, Los Angeles, Music, by Eric Jensen.

One of the things I have really enjoyed since mov­ing to Los Ange­les a few years ago is the incred­i­ble wealth of skilled musi­cians liv­ing here. The boom years of the record­ing indus­try attracted and devel­oped a remark­able pool of tal­ent. One could work in music in this town for decades and still not meet half of the great play­ers and writ­ers. The live instru­men­tal music scene in LA is per­plex­ing. Any night of the week you can hear world class musi­cians that would be A Big Event any­where else, par­tic­u­larly out­side of the United States, yet the local scene never seems to take off. I would love to do my part to insti­gate change. One of the best ways to start change in a dif­fi­cult sit­u­a­tion is to fig­ure out what’s already work­ing and do more of that. On that note I have some ideas to start a con­ver­sa­tion with local music fans: CD release par­ties and spe­cial gigs always seem to be well attended by friends who gen­er­ally spread the word. Even if you don’t get out to see all the shows you would like, keep track of what’s hap­pen­ing each week in the clubs and post upcom­ing gigs by your favorite artists on Face­book, Twit­ter, your blog. It only takes a minute. Email artists you like. Get on their mail­ing lists. Ask them what they are doing to pro­mote local music and what you can do to help. Are they using social net­work­ing and the web to it’s fullest poten­tial? What clubs do…