Shadow Language Electric Guitar Quartet Ken Rosser’s Shadow Language Electric Guitar Quartet is playing a show at The Electric Lodge in Venice, CA Thursday April 22 at 8 pm. In addition to the repertoire from their premier performance (see my interviews with Ken) they will be performing a piece by Nick Didkovsky and a world premier, Rooms of Marble and Red Grass by composer Stefano Giannotti. If you are a fan of modern electric guitar music be sure to check this out. SLEGQ is pushing the boundaries of the electric guitar and contemporary chamber music. If you think “it’s all been done” on the electric guitar… think again! Guitarist Ken Rosser
April 13th, 2010
Shadow Language Electric Guitar Quartet at The Electric Lodge
No Comments, Los Angeles, Music, by Eric Jensen.March 23rd, 2010
Jensen-Macchia-Lockett-Briggs at The York 3–21-10
No Comments, Los Angeles, Music, by Eric Jensen.I played a very nice gig at The York in Highland Park Sunday night. The band consisted of yours truly on guitar, Frank Macchia on bass flute and tenor sax, Tommy Lockett on bass, and Frank Briggs on drums. …a mix of standards and my originals… Great players, friendly staff, and a good crowd at this hip, neighborhood bistro.…
March 8th, 2010
Rizzo, Breadman, Oles — March 5, 2010 at The Blue Whale, Los Angeles
No Comments, Los Angeles, Music, Reviews, by Eric Jensen.At The Blue Whale in downtown Los Angeles last Friday night I was reminded of the spirit of openness and musical invention I experienced as a music student in Boston. I was quite fortunate to stumble into a very inspiring, wide open, musical community. Gary Burton’s groups included groundbreaking guitarists Mick Goodrick and Pat Metheny and featured new composers like Carla Bley, Steve Swallow, and Michael Gibbs. The music was crossing boundaries, exploring approaches beyond the language of bebop and post-bebop traditions. Manfred Eicher’s ECM records was a rising force, bringing European classical harmony and a lush sonic palette to the mix, and ‘world music’ influences were making deep inroads into the American improvisational tradition. Some of the most influential guitarists in the last thirty years passed through Boston during this time; John Abercrombie, Pat Metheny, Bill Frisell, John Scofield, Mike Stern, and many others less well known. It was an exciting time when anything seemed possible. Tom Rizzo (Maynard Ferguson, Doc Severinsen) guitar, Scott Breadman (Jose Feliciano, Lindsey Buckingham, The Rippingtons) percussion, and Darek Oles (Brad Mehldau, Billy Higgins, Pat Metheny) upright bass, brought their unique, collective sound to this intimate venue. After warming up with their take on a couple of classic tunes (including a beautiful version of Bill Evans’ “Time Remembered”), they dug into their own material, primarily composed by Rizzo. Rizzo is a seasoned writer and his strong compositions focused the band’s identity and sound. His guitar playing has a playful, uplifting feel. He is a modern, straight-ahead guitarist with fluid single note and chordal chops.…
March 1st, 2010
Tongue and Groove LA — Feb 28, 2010
No Comments, Los Angeles, Reviews, by Eric Jensen.I caught up with Conrad Romo last night at his monthly spoken word and music event Tongue and Groove, one of the real gems of the LA spoken word scene. Conrad has been producing T & G for six years. Shows happen on the last Sunday of the month at the Hotel Cafe in Hollywood from 6 to 7:30 pm. Conrad has his finger on the pulse of the LA literary scene and always puts together a great mix short fiction, personal essays, poetry, spoken word, and music. Last nights show featured Brendan Constantine, (Letters To Guns), Antonia Crane (Tales of a Sexual Outlaw) Rob Roberge (Working Backwards From the Worst Moments of My Life), Patrick O’Neil, and the “cowpunk” band, Speedbuggy. Conrad says: “Brendan Constantine holds an MFA from Vermont College of Fine Arts and is currently poet in residence at Loyolla Marymount University Extension and the Windward School. His work has appeared in numerous journals, most notably Ploughshares, Ninth Letter, The Cortland Review and RUNES. His collection, Letters To Guns, was released in 2009 from Red Hen Press. He lives at Bela Lugosi’s last address. Antonia Crane is a freelance journalist, editor and sex worker from Humboldt County. She has been a sex educator and harm reduction counselor for at-risk youth and women in SF and LA. She holds an MFA in Creative Writing from Antioch, edits the on line journal, “The Citron Review” and is a contributing columnist for “The Rumpus.” Excerpts from her forthcoming memoir “Tales of a Sexual Outlaw” have been published…
February 26th, 2010
Review of the Bob Sheppard Quartet at Vitello’s, Feb 25, 2010
1 Comment, Los Angeles, Music, Reviews, by Eric Jensen.Last night I caught Bob Sheppard’s quartet upstairs at Vitello’s in Studio City. Bob is one of the best saxophonists in Los Angeles and this was a particularly exciting band; Steve Cardenas on guitar, Jeff D’Angelo on bass, and the remarkable Steve Hass on drums. Bob is a versatile player with a beautiful, rich and detailed sound. He has absorbed the music of the jazz masters as well as pop styles, and created a strong personal voice. He burns without overwhelming the band, leaving plenty of space for musical conversation. The interaction between these guys was remarkable. It was a pleasure to watch them listening to each other. At times the exchanges between Sheppard and Cardenas were reminiscent of the classic Sonny Rollins — Jim Hall quartet. Bob pulled up a mix of standards, originals and lesser heard jazz tunes including two delightful Thelonious Monk compositions; “Green Chimneys” and “San Francisco Holiday”. Of particular note was his gorgeous rendition of the Jimmy McHugh ballad, “Say It (Over and Over Again)” perhaps best known as recorded by John Coltrane on the classic “Ballads” album. I first heard Steve Cardenas many years ago in the San Francisco Bay Area when we were both playing with trumpeter Jeff Beal’s bands. Steve’s playing knocked me out back then and today he has become one of the premier voices in modern jazz guitar, performing with a wide range of artists including: Paul Motian, Norah Jones, John Patitucci and Ben Allison. He is an esteemed educator and is in town for a guest…
February 10th, 2010
Ken Rosser’s Shadow Language Guitar Quartet
No Comments, Los Angeles, Music, by Eric Jensen.Performing tonight (2–7–10) at The Eagle Rock Center For The Arts…7 pm. Here’s a clip of Ken checking out my Ransom Tele at today’s Wirechoir rehearsal… Updated 2-10-2010: The concert was fabulous. Stay tuned for an in-depth video interview with Ken…
February 10th, 2010
Independent Music Publishing: What’s Working, What’s Ahead?
No Comments, Music, Music Industry, Strategy & Marketing, by Eric Jensen.On Tuesday evening the California Copyright Conference (CCC) hosted a lively panel of independent music publishers discussing the current state of their industry; what’s working, the challenges ahead and opportunities for innovation. The panel was moderated by Eric Polin, Sr. VP, Music Publishing, Universal Pictures, and Jonathan Rosner, President of the CCC and co-President of Bicycle Music. The panel: David Hirshland — President, Bug MusicKathy Spanberger — peermusic, President, Anglo American RegionKenny MacPherson – President, Chrysalis Music GroupRandall Wixen — President and Founder, Wixen Music PublishingRon Sobel — President of North Star Media; Partner at Winogradsky/Sobel; and Chair/Music Business Division, McNally Smith College of Music The companies represented range in size and manage a mix of established and independent artists. Most are grounded in traditional catalog administration, but North Star Media in particular partners with unknown artists without mechanical or performance royalties and is primarily focused on artist development and leveraging innovative revenue streams and new media opportunities. The panel felt that this was generally a good time to be an independent publisher. David Hirshland discussed the dangers of complacency and the need to repurpose catalogs and encourage writers to work in new, creative ways. Randall Wixen said that his company is being approached by many new artists who are looking for more attention from publishing partners due to shrinking or non-existent advances from record labels. All the panelists emphasized the importance of quality and focusing on great music. David Hirshland: “It’s still about being moved by what you hear…” Kathy Spanberger discussed the importance of partnering…
February 9th, 2010
Mike Clinco Quartet at The Oyster House
No Comments, Los Angeles, Music, Reviews, by Eric Jensen.I caught guitarist and composer, Mike Clinco with his quartet, at The Oyster House in North Hollywood Monday night. Mike is a fluid, melodic player with a warm, open, sound and a great relaxed feel. He has worked with many extraordinary artists including: Bo Diddley, Bobby McFerrin, Ella Fitzgerald and Henry Mancini. Mike has composed music for film and television, including underscore and source music for ‘Big Shots’, ‘Outer Limits’, and ‘Sex in The City’. Mike’s group featuring Jeff Driscoll on tenor, Adam Cohen on bass, and Bob Leatherbarrow on drums, played a mix of originals, jazz standards, and tunes by John Abercrombie, Jerry Bergonzi, Vic Juris, and Marc Johnson (“Union Pacific” from The Sound of Summer Running…a great record featuring Pat Metheny, Bill Frisell and Joey Baron). Singer Janelle Sadler and trumpeter Ron King sat in for a couple of tunes adding their magic to the mix. The sound of the group was conversational, chamber jazz with a swinging groove and a deep pocket thanks to Adam and Bob. The melodic interplay between the guitar and sax was super musical and sensitive. The rhythm section listened hard, provided solid, energizing support and contributed some nice solos. Mike and I both studied with the late Charlie Banacos, legendary jazz educator. In one way or another, Charlie’s influence touched many of the musicians who were there last night. Great players and a wonderful night of music. Thanks Mike! I’m looking forward to the next gig…
One of the things I have really enjoyed since moving to Los Angeles a few years ago is the incredible wealth of skilled musicians living here. The boom years of the recording industry attracted and developed a remarkable pool of talent. One could work in music in this town for decades and still not meet half of the great players and writers. The live instrumental music scene in LA is perplexing. Any night of the week you can hear world class musicians that would be A Big Event anywhere else, particularly outside of the United States, yet the local scene never seems to take off. I would love to do my part to instigate change. One of the best ways to start change in a difficult situation is to figure out what’s already working and do more of that. On that note I have some ideas to start a conversation with local music fans: CD release parties and special gigs always seem to be well attended by friends who generally spread the word. Even if you don’t get out to see all the shows you would like, keep track of what’s happening each week in the clubs and post upcoming gigs by your favorite artists on Facebook, Twitter, your blog. It only takes a minute. Email artists you like. Get on their mailing lists. Ask them what they are doing to promote local music and what you can do to help. Are they using social networking and the web to it’s fullest potential? What clubs do…