Posts Tagged ‘Ken Rosser’

Shadow Lan­guage Elec­tric Gui­tar Quar­tet Ken Rosser’s Shadow Lan­guage Elec­tric Gui­tar Quar­tet is play­ing a show at The Elec­tric Lodge in Venice, CA Thurs­day April 22 at 8 pm. In addi­tion to the reper­toire from their pre­mier per­for­mance (see my inter­views with Ken) they will be per­form­ing a piece by Nick Did­kovsky and a world pre­mier, Rooms of Mar­ble and Red Grass by com­poser Ste­fano Gian­notti. If you are a fan of mod­ern elec­tric gui­tar music be sure to check this out. SLEGQ is push­ing the bound­aries of the elec­tric gui­tar and con­tem­po­rary cham­ber music. If you think “it’s all been done” on the elec­tric gui­tar… think again! Gui­tarist Ken Rosser

OK, Ebow fans…this is the clip you’ve been wait­ing for. At about 1:10 Ken demon­strates the pre­pared gui­tar tech­niques involved in Rob Wannamaker’s piece, ‘Parallels’…slides, Ebow, hair scrunchies, and BBQ skewers…I love it! Head­ing into the clip I had asked Ken about the meter and tempo of the piece. To the lis­tener it appears to have no time; a float­ing con­tin­u­ous ensem­ble chord; the inner voices grad­u­ally shift­ing the tonal­ity. Check this one out…

In Part 5 of our con­ver­sa­tion Ken Rosser describes each of the pieces from the Shadow Lan­guage Gui­tar Quar­tet debut per­for­mance… Fol­low Me by Paul Lan­sky Amer­i­can Thighs by Bet­sey Biggs Time Enough by Mick Goodrick Par­al­lels by Rob Wan­na­maker and finally… Motor­mouth by Fred Frith Ken describes the musi­cal char­ac­ter of each com­po­si­tion and the unique chal­lenges pre­sented by the per­for­mance techniques.

In this clip Ken Rosser describes how he picked the pro­gram for the Quartet’s debut performance…

In part 3 Ken describes how he came up with the name for the group…

In this 2nd chap­ter of my inter­view with Ken Rosser we dis­cuss the unique require­ments of an elec­tric gui­tar ensem­ble and the strengths each of the other play­ers brings to this group. Shadow Lan­guage Gui­tarists: Ken Lasaine Kevin Tier­nan Andre LaFosse

The Shadow Lan­guage Gui­tar Quar­tet is an elec­tric gui­tar ensem­ble orga­nized by gui­tarist Ken Rosser. This extra­or­di­nary group of musi­cians recently debuted at the Eagle Rock Cen­ter for the Arts in Los Ange­les, per­form­ing pieces by Paul Lan­sky, Bet­sey Biggs, Mick Goodrick, Rob Wan­na­maker, and Fred Frith. Elec­tric gui­tar ensem­bles are some­thing I have always been involved with. The instrument’s icon­o­clas­tic nature makes it a ver­sa­tile tool in the hands of a skilled com­poser and an excep­tional ensem­ble. In this chap­ter Ken dis­cusses his long­stand­ing inter­est in gui­tar cham­ber music and the ori­gins of this group. In the chap­ters that fol­low he dis­cusses the other musi­cians and the reper­toire of their debut gig. In the final chap­ters Ken demon­strates some of the unique tech­niques involved in Rob Wannamaker’s piece and gives us a taste of Mick Goodrick’s music.