Archive for February, 2011

From today’s Dig­i­tal Music News: Are Music Con­sumers Step­ping On Us? That was the ques­tion posed on Thurs­day by NPD ana­lyst Russ Crup­nick at Dig­i­tal Music Forum East in Man­hat­tan. “Con­sumers are flip­ping us the bird,” Crup­nick declared while trot­ting through slide-after-slide of dis­tress­ing data. Exhibit A? Crup­nick listed a litany of con­ces­sions and pro-consumer offers from this indus­try over the past ten years — all of which have pro­duced few sub­stan­tive rev­enue returns.  These include:  ubiq­uity dis­ag­gre­ga­tion frag­men­ta­tion lib­eral licens­ing dis­abled DRM dis­in­fla­tion “These are great things we’ve done for con­sumers, but what have they done for us?” Crup­nick posed.  Well, the answer is very lit­tle, and Crupnick’s stats proved it.  Over the past 5 years alone, Crup­nick noted that the pop­u­la­tion of buy­ing music fans declined by 20 mil­lion, and per-capita spend­ing has dropped by 40 per­cent.  Mean­while, just 5 per­cent of US con­sumers are using sub­scrip­tion ser­vices, includ­ing free tri­als.  “We’re being too lib­eral,” the ana­lyst con­tin­ued.  “We need to demand more from con­sumers.” But there’s a funny twist: among the buy­ers that remain, a major­ity are only buy­ing CDs.  In fact, Crup­nick noted that 55% of pay­ing music fans are solely pur­chas­ing CDs, down from 80% per­cent in 2006.  Just last week at New Music Sem­i­nar in Los Ange­les, Tommy Sil­ver­man reported that two-thirds of all album pur­chases are phys­i­cal. And what about the super­fan, won’t that save us?  Well, Crup­nick popped that bal­loon quickly by not­ing that super­fans are also buy­ing less.  But, their per­cent­age of over­all pur­chases is increas­ing as more…

I have been using Apple’s prod­ucts since the 512K Mac­in­tosh. I have immense respect for the company’s user-focused prod­uct man­age­ment and busi­ness mod­els. How­ever, once in awhile they go too far and do some­thing stu­pid. Apple’s new sub­scrip­tion licens­ing pol­icy could seri­ously impact sub­scrip­tion music ser­vices,  an impor­tant devel­op­ing mar­ket. The same is true with the con­tin­ued mar­ket lead­er­ship of the iPad. If media com­pa­nies part ways with Apple on this, every­one loses. Maybe my next phone will be an Android after all… Apple’s New Sub­scrip­tion Model Is Evil — Giz­modo Rhap­sody CEO Blasts Apple — hype­bot New Apple App Rules Could Kill Sub­scrip­tion Music — hypebot

Check out these two excel­lent pod­casts in prepa­ra­tion for the upcom­ing Rethink Music con­fer­ence com­ing up this April in Boston. Radio Berk­man #168 Rethink­ing Music Pt. 1Radio Berk­man #173 Rethink­ing Music Pt. 2 — The Por­trait of the Self-Published Artist

On Feb­ru­ary 8, 2011 The Cal­i­for­nia Copy­right Con­fer­ence hosted a panel dis­cussing the cur­rent state and future pos­si­bil­i­ties of the Latin music mar­ket, orga­nized and co-moderated by Eric Palmquest — Direc­tor, Dis­ney Music Pub­lish­ing and Marissa Lopez, Asso­ciate Direc­tor, Latin Writer/Publisher Rela­tions at BMI. The panel fea­tured: Richard Bull — Pres­i­dent of The Sixth House, a man­age­ment com­pany with tour­ing, label, licens­ing, pub­lish­ing, and cor­po­rate mar­ket­ing arms.Tomas Cook­man — CEO, Nacional Records & Cook­man Inter­na­tional, and founder of the Latin Alter­na­tive Music Con­fer­ence.Yvonne Drazan — Cre­ative Direc­tor, peer­mu­sicNir Seroussi — VP, Mar­ket­ing and A&R, Sony Music LatinKike San­tander — Multi Grammy Award win­ning song­writer and pro­ducer, Chair­man of the Latin Acad­emy of Record­ing Arts and Sci­ences (LARAS) and CEO of San­tander Records. Marissa Lopez (whose career began as a Latin radio DJ) kicked off the fes­tiv­i­ties with a mix of regional and Latin music styles. Although the topic of the panel was the decline in Latin music sales, par­tic­u­larly in dig­i­tal, the pan­elist were uni­formly upbeat and excited about the wide open future for Latin music. Richard Bull and Tomas Cook­man have had strong suc­cesses with synch licens­ing and devel­op­ing strate­gic part­ner­ships with other com­pa­nies both inside and out­side of the music indus­try. The Sixth House’s part­ner­ship with peer­mu­sic has been par­tic­u­larly reward­ing for both par­ties. A com­mon theme was the need to exchange ser­vices and develop diverse part­ner­ships. Each sit­u­a­tion is unique in today’s mar­ket­place. Cook­man: “There is no right or wrong answer. If it works for you, it works for you.” Pan­elists agreed on the need…

A thought pro­vok­ing post from the Rethink Music blog. The bar­ri­ers to cre­at­ing a global music licens­ing reg­istry are sub­stan­tial in and of them­selves. As con­sumer behav­ior shifts away from own­er­ship to an “any­time, any­where” access model, accu­rate, stream­lined licens­ing will be key to a great music expe­ri­ence for the pub­lic as well as solid mon­e­ti­za­tion for cre­ators. What do you think?Rethink Music